Collective is now open from Tuesday – Sunday, 10am—5pm
Visit Collective this Easter break to experience a range of creative workshops suitable for children of all ages – from workshops celebrating rainwater in partnership with Edinburgh Science Festival, to drop-in creative sessions exploring our PLAY programme, and a final weekend of activities inspired by our current exhibition H-E-L-L-O by artist Cauleen Smith.
Edinburgh Science Festival: Rain Harvest
9–10 April 11am—12.30pm & 2—3.30pm £5 | Book in advance
Join in with the 2022 Edinburgh Science Festival and explore the beauty and vitality of rainwater in this hands-on, sensory workshop that blends art, science and play.
11–22 April Tuesday – Sunday, 10am—4pm Free | No booking needed
Throughout the Easter holidays, families are warmly invited to drop in to Collective and join us at our Play Shelter and Hillside spaces to take part in a range of art activities related to our year-round Collective Play programme.
Collective PLAY Weekend: Vibrations
23–24 April, 11am—4pm Free | No booking needed
Join us for a final Easter holiday weekend of free outdoor play and creative activities for children and families, inspired by our current exhibition H-E-L-L-O by Cauleen Smith.
A limited number of quiet slots are available on 23 April for families and children with autism or sensory learning disabilities.
CITADEL ARTS GROUP present a performed reading of new Scottish comedy
NAN & RITA and the DEAR DEPARTED
By Edinburgh writer Carolyn Lincoln
Top actors Lynne McCallum (Still Game, Taggart) and Estrid Barton (Howard’s End, Still Game, Theodosia) will once again team up for the new Scottish comedy Nan & Rita and the Dear Departed by Edinburgh writer Carolyn Lincoln.
Directed by Adam Tomkins, this is the pandemic-postponed follow-up to Nan & Rita and the Holy Grail which won great feedback in 2018:
“Entertaining dialogue…very clever and genuine use of Scots… fine satirical touches.” “A breath of fresh air and a bloody good laugh.” “Full of energy…well performed… excellent timing… lovely warm performances.”
This lunchtime performance will be in the popular PLAY, PIE AND DOCKERS PINT format. Arrive at Leith Dockers Club at 12:30 for your pie and drink and the performance starts at 1pm. Make sure you allow for extra travelling time because of the current tram works.
Carolyn Lincoln is a former Glasgow Herald staff journalist, radio ‘soap’ writer and occasional contributor to The Scotsman.
Over the years Leith based registered charity Citadel Arts Group has sought to encourage older writers and creatives to take professionally-produced drama and new writing to places and people other Scottish drama doesn’t usually reach.
Performance details
Wednesday 27th April 2022.
Leith Dockers Club, 17 Academy Street, Leith, Edinburgh EH6 7EE.
People should arrive at 12.30 to collect their drink and pie (meat or veg).
Researchers call for digital route map to prevent sector being left behind
CARE homes for older people in south-east Scotland are largely run using paper-based management systems, a new study into the sector’s digital readiness has revealed.
Only one in three (35 per cent) used an electronic care management system and only two in five (43 per cent) used an electronic system or software to manage medication.
Most care homes were also dogged by poor connectivity. Only two in five in SE Scotland (42 per cent) described their internet connection as “good” with fast loading of content and no interruptions.
And nearly two thirds (58 per cent) of the care homes which provided information reported that remote electronic access to resident information was not possible for any key health and community-based professionals.
The findings emerged from a study led by Edinburgh Napier researchers working in partnership with the University of Edinburgh’s Advanced Care Research Centre (ACRC).
Funded by the Data-Driven Innovation (DDI) programme, the work was set against a backdrop of Scottish Government proposals for a National Care Service and the related construction of a National Digital Platform.
However, the findings raise question marks about whether care homes are ready for a future in which digital innovation will be key to post-pandemic recovery and improved efficiency in health and social care.
Research lead Lucy Johnston, from Edinburgh Napier’s School of Health & Social Care, said fast connectivity, capacity for data capture and information sharing capabilities were “limited and unevenly dispersed”.
Calling for more support and coordinated resources for the sector, she concluded: “This targeted assessment of data and digital readiness exposes the fragile and insecure foundations of a care home data platform for Scotland.
“The findings confirm that care homes are only in the foothills of what is a complex, vast landscape where the direction of travel is rightly ambitious and therefore uphill and the pace is fast.
“To ensure care homes are not left behind, they require a trusted, well-informed and certain national and local route map, secure ties to the new and developing infrastructures and continued integration of health and social care services.”
The study – Landscape Assessment of Data and Digital Readiness of Scottish Care Homes (LADDeR) – was set up to map current data and digital readiness in terms of connectivity, systems for collecting resident data, and how this information is shared with other care partners.
Carried out from July 2021-January 2022, the LADDeR report drew on information from 55 per cent of the 200 registered residential care homes for older people in Edinburgh, Fife, the Lothians and the Scottish Borders, collected through an online survey, direct contact and additional research.
A third of homes gave the cost of introducing digital systems as a reason why they remain paper-based.
More than two-thirds (69 per cent) which are currently paper-based did plan to introduce electronic care management systems in the next 12 months, but these were overwhelming privately rather than local authority-owned.
The study suggested that what will primarily drive increases in digital capabilities may be the investment decisions of larger group providers.
Professor Bruce Guthrie, Director of the ACRC, added: “Improving access to, and making better use of, data is a core aim of what we are trying to achieve at the ACRC.
“COVID-19 brutally exposed how invisible care home residents are in data, and supporting the care home sector to develop their digital capacity is an important step in meeting this aim, which will, in turn, lead to improvements for care home residents.
“This study helpfully illustrates the scale of the challenge in care homes.”
A spokesperson for the DDI programme said: “This report provides an important insight into the care home sector’s challenge in embracing a digital future and we will use its findings in our work to support a more digitally integrated and data-driven health and care sector within SE Scotland and more widely.”
– The Top Secret Drum Corps set for return to Castle Esplanade this summer following a week of classified activity for the big announcement –
Swiss drumming sensation, The Top Secret Drum Corps, has been revealed as the first confirmed international act to take to the Castle Esplanade when The Royal Edinburgh Military Tattoo – one of the world’s best known military spectaculars – makes its highly anticipated return this summer.
The iconic drummers will wow fans with their dynamic precision drumming showcase, which has received global recognition since first performing in the Show back in 2003.
The Top Secret Drum Corps was founded in 1991 by seven young drummers who wanted to preserve Basel’s rich drumming heritage and began mixing the traditional style of drumming with other drum types and striking visual effects.
This year’s Tattoo theme is ‘Voices’ and the Show will represent the collective power and connection of voice through a spectacular combination of music, dance and military precision from some of the world’s leading armed forces and cultural performers as it returns with a bang this August 5-27.
The Royal Edinburgh Military Tattoo Creative Director, Michael Braithwaite, said:“We can’t wait to make our triumphant return this year and I’m thrilled that The Top Secret Drum Corps will be front and centre when we do so.
“They are one of the most dazzling drumming acts in the world and their sensational performance will light up what’s sure to be another incredible spectacular throughout August.
“Whether you’re excited to return to the esplanade or keen to experience the Tattoo for the first time, I’d urge people across the country to get their tickets and get set to be wowed by the show.
“It was great to see the buzz on the streets of Edinburgh today as we got ready for the big reveal. Excitement is undoubtedly building ahead of summer, so I’d encourage all Tattoo fans to keep their eyes and ears peeled as there is so much more to come, and we’ll be revealing all about this year’s production very soon.”
Top Secret’s drummers play in an upbeat and playful style, with sections of their routine featuring drumstick juggling, exploding flagpoles and a drummer’s duel to wow audiences.
The year’s Tattoo performance will celebrate people across the globe who, despite physical separation, continue to connect and share their voices creatively through spoken word, song, writing, music and dance – languages common to all.
Military acts will continue to play a central role in this year’s performance, with the Army confirmed as the lead service in 2022.
As well as the talents of The Top Secret Drum Corps, audiences this year will also enjoy the legendary sound of the Massed Pipes and Drums that will echo around the Esplanade as part of Voices, supported by Tattoo pipers and drummers, and musicians from UK Military Regiments.
The Tattoo dancers and Tattoo fiddlers also join the line-up, with international acts and further details about Voices announced in the coming months.
Data shows scale of crucial voluntary sector impact in Lothian and beyond
Figures collated by the Scottish Council for Voluntary Organisations (SCVO) using data from OSCR, Volunteer Scotland, the TSI Network Scotland, and the Social Enterprise in Scotland Census have highlighted the crucial role of charities, social enterprises, and community groups in Scotland.
The data reveals that across Lothian alone there are currently 3,729 registered charities, generating a combined annual income of £4,342,612,905, and 1,125 social enterprises operating across the TSI area.
Along with employing 64,190 paid staff, an amazing 234,336 people from across the area also support organisations by volunteering their time and skills to help people, communities and groups, making an invaluable contribution to their local community in the process.
Nationally, Scotland enjoys the benefits of over 40,000 voluntary sector organisations, employing over 100,000 paid staff – a similar number to the Scottish digital and technology sector.
The Scottish Council for Voluntary Organisations (SCVO) and TSI Scotland Network believe that sharing this data will further highlight the indispensable contribution of the voluntary sector, particularly over the course of the Covid-19 pandemic, during which charities and voluntary organisations, both local and national, have played a vital role across Scotland.
Anna Fowlie, Chief Executive for the Scottish Council for Voluntary Organisations (SCVO) said: “We know that the voluntary sector is a major player in Scotland in terms of economic impact and employment.
“Our recent #NeverMoreNeeded campaign highlighted how crucial the sector has been during the pandemic across the country, and continues to be essential in recovery.
“These findings highlight not only how vital charities, social enterprises and community groups are in Lothian, but also the level of local support provided to these organisations through volunteering, which is really encouraging.”
A spokesperson for Edinburgh Voluntary Organisations’ Council (EVOC) said: “Scotland’s vibrant voluntary sector is a key asset in our communities, even more so over the last two years, but it is one which is often underestimated and overlooked.
“We hope that this data, which shows the size and scale of the sector, can emphasise just how vital the sector is and how much it supports us all, both locally and nationally.”
Foysol Choudhury, MSP for Lothian, said: “I welcome the figures produced by the Scottish Council for Voluntary Organisations (SCVO), particularly those that highlight the invaluable contribution that charities and voluntary organisations make in Lothian.
“The voluntary sector has been crucial throughout this pandemic, both in the local area and nationwide, and it’s important that we not just recognise that incredible contribution, but also explore how the Scottish Parliament can work better with the sector to maximise these efforts.”
Posters designed by primary and secondary school pupils in Edinburgh are to front a city-wide campaign aimed at boosting recycling rates in classrooms.
The six striking and colourful designs were chosen from more than 900 entries to a poster competition run by the City of Edinburgh Council for P4-S2 pupils.
And, as well as encouraging recycling, the posters highlight the benefits that recycling food, paper and plastics brings to Edinburgh and the natural world.
Posters by Kayleigh Mok from James Gillespie’s Primary School, Coral Creswell from St Thomas of Aquin’s RC High School and Charlotte McPhail from Flora Stevenson Primary School, will be displayed in all primary and special education needs schools across the city.
Artwork by Arran Smith from Davidson’s Mains Primary School, Arla Howe-Speirs from East Craigs Primary School, Elise Ballinger from Preston Street Primary School, will feature in all Edinburgh secondary schools.
The posters are part of a move by the City of Edinburgh Council to ensure a consistent approach to waste management in schools across the city.
From after the Easter holidays (April 25th) dry-mixed recycling and food bins will be offered to all primary, secondary and special education need schools in the capital.
Schools will be supported with information and materials helping to show what items can be placed in each bin, as well as materials, including lesson plans, aimed at raising awareness of the benefits of recycling as the city moves towards its target of net zero emissions by 2030.
The move follows on from a primary school Youth Climate Summit held in the run up to COP26 last year, which found that pupils overwhelmingly wanted more recycling facilities in their schools, to help tackle waste and support climate action.
Leader of the Council, Adam McVey said: “We know for many schools in Edinburgh, taking steps to become more sustainable and cutting our carbon footprint has become part of daily life.
“These fantastic posters really help to highlight the importance of recycling and the benefits that it can bring to Edinburgh, from helping to protect our wildlife, to turning food waste into electricity.
“And, we hope this campaign will help to provide schools who just need a little extra support, to make it as easy as possible for pupils, teachers and school staff to make changes, that make a difference and help create a cleaner, greener city.”
Deputy Leader of the Council, Cammy Day said: “Highlighting the environmental and social benefits of cutting down on waste and making it even easier to recycle in schools across the city, will help introduce green habits to Edinburgh’s young people which will last a lifetime.
“It’s really important we all get in the habit of disposing of our waste correctly and reusing and recycling where we can. Making sure there are the same systems and approach to waste in schools across the city will make it even easier for pupils and school staff to help Edinburgh reach its climate targets.”
Help us create a vibrant, welcoming, inclusive centre at the Heart of Newhaven, Edinburgh. We have the funds to buy the site, and the City of Edinburgh Council has agreed to sell it to us, and we will have the keys soon but we need your help to make the vision a reality.
The former Victoria Primary School site IS going to be the Heart of Newhaven Community. The Heart of Newhaven (HoN) will be a brand new intergenerational centre for the whole community to enjoy. The Scottish Land Fund (SLF) has awarded us £792,000 and we were given permission to purchase the site. Victoria Primary School has moved to a new building on a different site and we will be taking over the building SOON.
We will have the building soon but now we need YOUR help to refurbish, furnish and heat it and get it properly up and running, while we build sustainable fundraising and other income.
There is more information about how you can donate here:
Over 790 shows now available to browse online, with more to be announced monthly in the lead up to the Fringe’s 75th anniversary this August
Today, Thursday 07 April, the Edinburgh Festival Fringe Society is delighted to announce that tickets for a further 513 Edinburgh Festival Fringe shows are now available to browse and book atedfringe.com.
This is the second set of tickets to be released for 2022, with the first 283 shows revealed in March.
In total, there are 796 shows now available, with more set to be announced on Thursday 05 May and Thursday 09 June. The official programme launch will take place on Thursday 07 July.
The 75th anniversary of the Fringe takes place from 5th – 29th August 2022 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events and more all featured in the programme so far.
Below is a small representative sample of shows available to book from today. The full list of shows released so far can be found at edfringe.com.
Theatre
At Pleasance, Today I Killed My Very First Bird follows a South-East London gangster who starts to lose his grip on reality when he’s forced to look back on his traumatic childhood. Theatre Royal Plymouth co-produce this “unflinching new play based on lived experience”.
In a world first, Irvine Welsh’s Porno has been adapted for the stage. 15 years after Trainspotting, what has become of Renton, Sickboy, Spud and Begbie?
Fills Monkey: We Will Drum You “blends pure joy and comedy with extraordinary musicianship, as two drummers fuse musical styles from rock to heavy metal, and Latin to jazz”.
And in Charlie Russell Aims to Please, Charlie wants to do a show in Edinburgh, and so attempts to “please absolutely everyone by trying to hit as many solo Fringe show tropes and styles as possible within an hour”.
At Gilded Balloon,Swallowed follows a young couple who are separated by an outbreak they cannot speak of. “Desire to connect meets fear of touch”. From emerging Scottish company, Frizz Theatre.
Eve: All About Her sees award-winning actor and cabaret artist Keith Ramsay “fuse spoken word and live music to deconstruct the concept of camp and queer mythology for a post-Stonewall generation”.
After a run in 2021, 1902 returns to Leith Arches. The multi award-winning work from Saltire Sky “takes an access-all-areas approach to working-class life in Scotland as we follow four young wannabe football hooligans in their quest to see Hibs win the Scottish Cup Final”.
At theSpaceUK, Beneath is “a dark and absurd commentary on the effects of climate change”. Four people are trapped under 100 metres of water after an environmental catastrophe. After months of just surviving, each character is forced to examine what their options are and what their futures hold.
And Hiya Dolly! is “the true story of how a cute, attention-seeking lamb became the most famous sheep in history – the world’s first cloned mammal.”
Les Dawson: Flying High is at Assembly. Jon Culshaw stars in in this new play from BAFTA and Olivier Award-winning writer Tim Whitnall and director Bob Golding. “Join Les as he summons forth a wealth of characters and incidents from his eventful life and career.”
Marrow follows a queer artist, who when “forced within the confines of his fabulous mind, takes a euphoric journey to heal”.
She Wolf is a winner of the 2022 Assembly ART Award and the Alpine Fellowship Theatre Prize. It’s a fierce, ferocious monologue “about getting f*cked over and fighting your way back”. Spoken by a woman hiding out at the zoo, this show “tears open questions of gender and class in a capitalist world”.
Sandcastles by Steve McMahon “depicts the tumultuous lifelong friendship of millennials Hannah and Beth”. An Assembly ART Award-winning piece from Brite Theater.
Destiny is at Underbelly. “Destiny dreams big… If J-Lo can make it out of the Bronx, then Destiny can make it off the Hill Rise estate.” A recipient of the Pleasance 2021 National Partnerships Award with Bristol Old Vic Ferment, this work follows a teenage girl growing up on a Chippenham council estate.
The Sian Clarke Experience is “an ode to every man who has belittled her, made her feel unsafe, objectified her, told her she can’t be funny, called her a slut, told her to smile more… a dark, twisted comedic piece full of aggression and discomfort, examining the constraints of a woman biting back.”
Lightweight is “the true story of a complicated young woman’s attempts to survive anorexia and maintain a debilitatingly positive attitude in post-9/11 New York City”. Winner of Best Festival Debut at United Solo Festival 2021, New York City.
The B Collective returns with their high-octane show, Murder Ballads, adapted from the album by Nick Cave and the Bad Seeds. “Explosive gig-theatre meets dark comedy cabaret as four actor-musicians invite you to O’Malley’s Bar in the town of Millhaven, 1882, in the wildest part of the old Wild West”.
At Greenside, Almost 13 is a solo drama about a young girl “surviving a hot, violent summer in Brooklyn”. Can she endure being caught between a disintegrating working-class family at home and racial violence on the streets? Award-winning theatre artist Joan Kane plays all 10 colourful Brooklynites.
And the one-woman show Caitlin is based on Dylan Thomas’s wife Caitlin Macnamara, as she tells the story of her “unfulfilled ambitions”, and her “booze-fuelled, infidelity-riddled marriage to poet”.
Comedy
Monkey Barrel have a roster of stand-up this year, including Catherine Bohart’s “blisteringly funny new stand-up show filled with horrendous life advice, cheery nihilism and reluctant self-discovery.”
Taskmaster winner and co-host of Dave’s Unforgivable Lou Sanders is “tour fresh and still yakking away… is this show the real vaccine?”
Edinburgh Comedy Award winner Sofie Hagen presents Fat Jokes: a show bursting with big jokes and fat punchlines.
And Liam Withnail returns with a new show, on the back of winning Amused Moose’s Outstanding Show Award in 2019.
Plus, Glasgow comedian Christopher Macarthur- Boyd is back, exploring “the end of the world and Italian food”.
The Stand is home to Omid Djalili. “After experimental Zoom gigs where he got muted by 639 people… the multi award-winning comedian and actor is now where he belongs, on a stage.”
Paul Sinha is back on tour and appearing at the Fringe. Audiences can “expect jokes and surprises” from the quizzer, comedian and broadcaster.
Meanwhile, Flat and the Curves sees “hilarious divas perform original songs exploring sex, scandal and sisterhood”.
Frankie Boyle is at Assembly with “ashow largely about politics, satirising whichever new leaders emerge from the irradiated rubble.”
For Nish Kumar, who returns with a new show, “it has been a period of upheaval and uncertainty with COVID and the political situation.” He promises we’ll be “amazed by his capacity to somehow take all these things personally.”
Julia Masil is appearing with “a debut solo comedy hour from the legs behind the sell-out hit show Legs. In this absurd homage to migration, a hungry clown from an Eastern European village voyages to America for a hot dog.”
And after his last Fringe appearance, Rich Hall “had to step away from Edinburgh and consider how to be less devastatingly funny.” In this return, he promises “to dial it back just a little”.
At Gilded Balloon, Best Newcomer nominee Maisie Adam has a brand-new show for 2022, Buzzed, “rammed with witty observations, high-octane energy and some right good jokes.”
Comedy magician Pete Firman returns to the Fringe with a new show. “Expect Pete’s trademark blend of laugh-out-loud comedy and jaw-dropping magic”.
And legendary fox Basil Brush has a brand-new show for the adults, following his sold-out 2019 Fringe debut. “The national treasure will bring more anarchy to the festival, featuring different guests daily.”
At Pleasance, Mind Mangler: Member of the Tragic Circle is “a new solo spectacular predicted to spiral into chaos as Mind Mangler attempts to read your mind.”
And in Mischief Movie Night, audiences are promised “an improvised movie live on stage”. Every show is different.
Daniel Sloss is at Just the Tonic and is doing a run of shows to work up some new material for his next tour.
Tom Stade is “trying to remember what was important before responsibility and fear got in the way” in his show.
Underbelly is home to Paul Foot, in which “Paul opens his beak and explores topics including Nanna on the rack, murdering Santas and interfering ambulance drivers.”
Jason Byrne recently lost his father, Paddy Byrne. In this one-man play, Jason brings his dad’s life to the stage, “keeping him alive in stories full of laughter and tears”.
In A Problem Shared, Myra DuBois “steps away from the songs and dedicates her attention to the dying art of conversation”.
Drunk Women Solving Crime returns to the Fringe. “This is a true crime podcast with a twist… of lime. Each episode sees the boozed-up panel of writer / comedian hosts Hannah George, Catie Wilkins and Taylor Glenn welcome a top guest to test out their drunk detective skills and solve true crime cases.”
The Scottish Comedy Festival has a host of Scottish stand-up, including five-time Scottish Comedian of the Year finalist Ross Leslie and a set from Gary Little on “life, relationships, the world!”
Laughing Horse is home to Nathan Cassidy, who presents “stand-up comedy on the death of the planet, the neglect of our leaders and the shield of blame from ourselves.”
PBH’s Free Fringe features Palindrome Fight!, which comprises five panelists, three audience suggestions, and thirty minutes of lurid palindrome history and standup comedy.
Music
Catch The Tiger Lillies at Underbelly. After years away touring the world, the “Olivier Award-winning godfathers of alternative cabaret celebrate their 30th anniversary with a triumphant return to the Fringe”.
Scottish/Danish folk duo The Quiggs are back at Acoustic Music Centre for an hour of folksong and fine singing.
Dougie Mackenzie and Brian Miller are performing together. Dougie is a traditional singer, drawn to Scots ballad language. Brian is a Scottish singer and guitarist.
Massaoke is back at Assembly. Join the house band, Rockstar Weekend, on “a euphoric, spandex-clad journey through the greatest smash hits of all time, accompanied by giant video lyrics and the whole crowd singing together”.
At Pleasance, Shona the Musical Choir is an African/Scottish group presenting original songs from African composer/playwright Neo Vilakazi. “Inspired by historical events around the Shona tribe in Africa and [the] socio-political turmoil of Robert Mugabe’s rule of Zimbabwe.”
Cabaret and Variety
Fascinating Aida are at Assembly. Their latest show is “jam-packed with hilarious songs (old and new), outrageous humour and an elegant charm that belies the biting satire and their potty mouths.”
In Soulful Magic, Britain’s Got Talent finalist Magical Bones returns to the Fringe, with a “brand-new hour of the most awe-inspiring and high-energy magic you’ll see this year.”
Following its sold-out 2019 Fringe premiere, the award-winning An Evening Without Kate Bush returns.Sarah-Louise Young and Russell Lucas “pay glorious homage to the music, fans and mythology of one of the most influential voices in music”.
La Clique are returning to the Fringe, with shows at Underbelly. A decade on from winning the Best Entertainment Olivier Award, this show “promises to be a night of laughs, gasps, naughtiness and the best in international cabaret”.
In More Jewish Chronicles (and Other Musical Stories), multi award-winning musical storyteller Daniel Cainer performs another collection of story-songs, following six off-Broadway runs and 15 Edinburgh Fringes.
PBH’s Free Fringe is home to Caspar Thomas: Sleight of Handkerchief. Having had plenty of time to practice, Caspar returns to the Fringe with a brand-new magic show.
Plus, Ash Pryce’s latest show features paranormal illusions, spooky magic and ghostly goings in the underground vaults of Edinburgh.
Dance, Physical Theatre and Circus
Railed is at Assembly. From the creators of Elixir (winner of Best Circus and Physical Theatre award at Adelaide Fringe 2018), “Railed is a western-themed circus spectacular, combining trademark physical talents, finely chiselled bodies and hilarious comic timing.”
International theatre-makers Same Same Collective are bringing drop dead gorgeous, which “combines movement, clowning and a whole lot of fruit.” Expect “intersectional, irreverent theatre, loosely based on Yukio Mishima’s Book of Anti-Chaste Wisdom”.
Circus Abyssinia: Tulu is at Underbelly Circus Hub. “Celebrating the first African woman to win Olympic gold, this showcase is inspired by the true tale of an Ethiopian icon, Derartu Tulu”. It promises “awe-inspiring acrobatics and mesmerising fire juggling with a rocking, exuberant soundtrack.”
At theSpaceUK, SMACK & Spektakel offers “an adventurous double bill of dance, refreshing the commentary on the empowered female body, while questioning the relationship between performance and identity”.
Children’s shows
At Pleasance, catch Shlomo’s Beatbox Adventure for Kids. World record-breaking beatboxer SK Shlomo has performed around the world with the likes of Bjork, Ed Sheeran and Rudimental. Here, Shlomo is “back on his mission to empower the next generation of superstar beatboxers to find their true voice, no matter who they are”.
Clowntown In Space @theSpace is at theSpaceUK. Canada’s award-winning clown band sparks the imagination in this space-themed show. “Full of live music, catchy singalongs, fun adventures and interactive comedy”.
Prehysterical is at Assembly. “A hilarious circus show for children and parents of all ages, following three foolish Neanderthals as they struggle to survive the harsh natural world.”
Meanwhile, Brotipo is “crazy Canadian circus for the young, premiering in Edinburgh after visiting 16 countries”. Watch as “two clowns touch the hearts of the audience and make them laugh through their quarrels, their acrobatics and their lonely moments.”
At Gilded Balloon, catch The Dark Room For Kids. You and your family are stuck inside a live-action video game! How will you escape? “An interactive adventure featuring terrible prizes and total mayhem.”
Fruit Flies Like a Banana: Kids! sees “music, theatre, dance and circus collide in this variety show where you choose the show order”.
In There’s Nothing Quite Like Spaghetti Bolognese!, join Penny “for an unforgettable dinner in this show that is fun for all the family. A piping-hot piece of brand-new children’s theatre that asks the question: Should you play with your food?”
Musicals
At theSpaceUK, Flesh is a “fast, furious and funny rock musical that takes a wry take on the story of Burke and Hare – Irish navvies induced by the Edinburgh medical elite to turn their hands to murdering for profit.”
And in About New Year’s Eve, “minutes before the clock strikes 12, a group of friends rediscover themselves and their goals for the new year.” This show “offers audiences a joyful and dramatic exploration of life through the eyes of young adults.”
full asset freeze on largest Russian bank and end to all new UK outward investment into Russia announced
UK to end all imports of Russian coal and oil by end of 2022 and take action against oligarchs and key strategic industries
Foreign Secretary will urge G7 colleagues to maintain the momentum on further waves of sanctions at meeting today
Following further reports of abhorrent attacks on civilians in Ukraine this week, the Foreign Secretary has announced a significant ratcheting up of UK sanctions on Russia.
As a leading voice calling for international action, the UK’s fifth package of measures will cut off key sectors of the Russian economy and end our dependency on Russian energy. Yesterday’s measures have been delivered in lockstep with our global allies as the EU has also banned imports of Russian coal and the US has sanctioned SberBank.
Announcing the package yesterday, the Foreign Secretary Liz Truss said: “Today, we are stepping up our campaign to bring Putin’s appalling war to an end with some of our toughest sanctions yet.
“Our latest wave of measures will bring an end to the UK’s imports of Russian energy and sanction yet more individuals and businesses, decimating Putin’s war machine.
“Together with our allies, we are showing the Russian elite that they cannot wash their hands of the atrocities committed on Putin’s orders. We will not rest until Ukraine prevails.”
Key sanctions announced today include:
asset freezes against Sberbank and Credit Bank of Moscow. Sberbank is Russia’s largest bank and this freeze is being taken in co-ordination with the US
an outright ban on all new outward investment to Russia. In 2020 UK investment in Russia was worth over £11 billion. This will be another major hit to the Russian economy and further limit their future capabilities
by the end of 2022, the UK will end all dependency on Russian coal and oil, and end imports of gas as soon as possible thereafter. From next week, the export of key oil refining equipment and catalysts will also be banned, degrading Russia’s ability to produce and export oil – targeting not only the industry’s finances but its capabilities as a whole
action against key Russian strategic industries and state owned enterprises. This includes a ban on imports of iron and steel products, a key source of revenue. Russia’s military ambitions are also being thwarted by new restrictions on its ability to acquire the UK’s world-renowned quantum and advanced material technologies
and targeting a further eight oligarchs active in these industries, which Putin uses to prop up his war economy
They include:
Viatcheslav (Moshe) Kantor, the largest shareholder of fertilizer company Acron with vital strategic significance for the Russian government
Andrey Guryev – known close associate of Vladimir Putin and founder of PhosAgro – a vital strategic company that produces fertilizers
Sergey Kogogin, director of Kamaz – manufacturer of trucks and buses, including for the Russian military
Sergey Sergeyevich Ivanov, President of the world’s largest diamond producer Alrosa, which the UK also sanctioned
Leonid Mikhelson, the founder, and CEO of leading Russian natural gas producer Novatek, with a net worth of £18billion
Andrey Akimov, the CEO of Russia’s third largest bank Gazprombank
Aleksander Dyukov, the CEO of Russia’s third largest and majority state-owned oil producer GazpromNeft
Boris Borisovich Rotenberg, son of the co-owner of Russia’s largest gas pipeline producer SGM. The Rotenberg family are known for their close connections to Putin and a number of them have already been sanctioned
At today’s meeting of G7 Foreign Ministers the Foreign Secretary will call for further collective action, including an accelerated timetable for all G7 countries to end their dependency on Russian energy.
She will also call for continued G7 unity in imposing further co-ordinated waves of sanctions against the Russian economy and elites around Putin, until Russia withdraws its troops and ends its brutal campaign of aggression against Ukraine once and for all.
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