Scottish Gas staff kick off Volunteer Week in North Edinburgh

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More than 350 Scottish Gas employees took part in a volunteering challenge supporting local charities and community groups across North Edinburgh yesterday. Continue reading Scottish Gas staff kick off Volunteer Week in North Edinburgh

Reminder: Asset Mapping Research launch tomorrow

TUESDAY 31 MAY
3:30 – 5:30pm
The Prentice Centre
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Please find attached an invitation to the gathering to hear and discuss the end report from the Granton Improvement Society Asset Mapping and Community Questionnaire.

Continue reading Reminder: Asset Mapping Research launch tomorrow

£2,500 traditional music bursary open for applications

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Exactly six months from today, the winner of a new bursary to support young Scottish traditional musicians will be unveiled, coinciding with St. Andrew’s Day 2016. Set up through a partnership between independent charity the Saltire Society and Hands Up for Trad, set up in 2002 to promote Scottish traditional music, the new bursary is now open for applications. Continue reading £2,500 traditional music bursary open for applications

Celebrating Drylaw: Fun festival this weekend

Three days of community events in Drylaw

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Drylaw Parish Church, Rainbow Club Daycare Centre, Drylaw Telford Communtiy Council and Ferryhill School have got together to create a programme of events to celebrate all that’s good about Drylaw. Continue reading Celebrating Drylaw: Fun festival this weekend

Pink Floyd: Royal Mail issues special stamps to honour rock legends

Royal Mail has revealed images of a set of ten stamps that will be issued to mark 50 years since Pink Floyd turned professional and became the ‘house band’ of the London Underground movement of music and arts.
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The stamps are now available to pre-order at
and will be available to purchase from 8,000 Post Offices from 7 July 2016.
Six stamps feature iconic album covers: The Piper At The Gates Of Dawn; Atom Heart Mother;The Dark Side Of The Moon; Wish You Were Here; Animals and The Endless River.
The band is renowned for its innovative album covers, many of which have become design classics. Through working with leading graphic designers and photographers, they established a body of work that is instantly recognisable, with album cover art considered among the most iconic ever created.
Most of the band’s album covers were devised by Hipgnosis, co-founded by Aubrey Powell and Storm Thorgerson in 1968. They were at the forefront of album cover design, using experimental techniques in photography and multiple exposures, and retouching to create the startling images.
A further four stamps within a miniature sheet celebrate the live performances of the band. Arguably the most visually literate band of all time, as well as being one of the most successful, their live appearances were renowned. They were among the first groups to make extensive use of light shows and projection of films for their appearances, increasing in ambition over the decades.
The four images convey the experience of these live performances, from the appearances at the influential UFO Club, London in 1966 where they invented the ‘psychedelic’ light show; to the extremely ambitious staging for albums such as The Wall and the Division Bell tours.
Pink Floyd were formed when the founding trio of bassist Roger Waters, drummer Nick Mason and keyboardist Rick Wright were augmented by original guitarist Syd Barrett. In 1968, guitarist David Gilmour joined the band shortly before Barrett’s departure.
Few bands in the history of rock have managed to carve out a career as rich and expansive as that of Pink Floyd. From their blues-based psychedelic roots, the members of the outfit have created some of modern music’s most totemic and inspirational albums, with ground-breaking live performances to match.
STAMP-BY-STAMP 
THE PIPER AT THE GATES OF DAWN (EMI Columbia, 1967)
Pink Floyd’s psychedelic debut is named after Chapter 7 of Kenneth Grahame’s classic children’s novel, The Wind in the Willows, one of frontman Syd Barrett’s favourite books. Photographer Vic Singh shot the cover image using a prism lens given to him by George Harrison some weeks earlier.
ATOM HEART MOTHER (EMI Harvest, 1970)
Pink Floyd’s fifth album provided them with their first UK Number One. It was also the first of their LPs not to feature the band’s name on the front of the sleeve, setting the tone for subsequent albums. Hipgnosis, co-founded by Storm Thorgerson and Aubrey Powell, designed the cover – the cow’s name is Lulubelle III.
THE DARK SIDE OF THE MOON (EMI Harvest, 1973)
With sales in excess of 40 million copies worldwide, The Dark Side Of The Moon remains in the Billboard chart in America over 40 years after its release, and has been entered into the Guinness Book of Records as the longest-charting album. Created by Hipgnosis, with graphics by George Hardie of NTA, the prism device is a classic.
WISH YOU WERE HERE (EMI Harvest, 1975)
With a theme of ‘absence’, the Hipgnosis design message was summarised by Storm Thorgerson as ‘not being present in a relationship or conversation’. The concept even extended to the album being shrink-wrapped in opaque black plastic which had to be slit or removed to access the music and images.
ANIMALS (EMI Harvest, 1977)
Animals was released as punk raged. While Johnny Rotten wore a T-shirt with the slogan ‘I Hate Pink Floyd’, Nick Mason busied himself producing The Damned’s Music for Pleasure. The photograph of Battersea Power Station features the now legendary floating inflatable pig designed by Roger Waters.
THE ENDLESS RIVER (Parlophone Warner, 2014)
Ostensibly a tribute to the late Richard Wright and described as a ‘headphones’ album by David Gilmour, The Endless River beat all records for volumes of online pre-orders. For the album cover, Aubrey Powell discovered 18-year old graphic designer Ahmed Emad Eldin’s enigmatic work, which was recreated by design company Stylorouge and photographer, Simon Fowler.
PINK FLOYD LIVE
While their studio work has always been important, Pink Floyd have been defined by their live performances. Their early shows in 1966 at London’s UFO Club married the use of pioneering liquid light effects that matched the psychedelic quality of the music itself.
By 1973, the band’s stage set was further expanded to mirror the dramatic sensibilities of the music: the tension that pervades The Dark Side of the Moon was reflected by lighting director Arthur Max’s innovative work, which included a 15-foot model plane flying over the audience, crashing on stage in sync with the explosion during the track On the Run. The In The Flesh Tour (aka The Animals Tour) of 1977 continued that pattern of spectacle through the use of inflatables, including the now famous pigs, and saw Pink Floyd make US stadiums their own.
Next came the Wall, Roger Water’s ambitious theatrical concept base on alienation which saw a physical wall built between the audience and the band.
Some 14 years later, spectacular stadium shows had become the norm, with Floyd underlining their status as pioneers during The Division Bell Tour, captured to great effect on the p.u.l.s.e DVD and beating all records in terms of gate receipts.
1st Class UFO Club, 1966. The UFO Club opened on Dec. 23, 1966. Pink Floyd were booked for the opening along with Soft Machine.
 
1st Class The Dark Side of the Moon Tour, 1973.  This show included the special effect of a plane crashing into the stage at the end of the song On the Run.
 
£1.52 The Wall Tour, 1981. Gerald Scarfe and Roger Waters designed a series of animations for the Wall Tour.  These animations were projected onto a 40-foot high wall of cardboard bricks which was gradually built between the band and audience.
 
£1.52 The Division Bell Tour, 1994. Over 5.3 million tickets were sold for this tour and it grossed approx. 100 million US dollars.
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Stamps, eh? Wonder what Syd would have said?

Letter: Righting Wrongs

Dear Editor

When people feel strongly about an issue and voice it very clearly, it stands a good chance of changing that issue. There have been a number of recent examples of this happening: cutting disability income, attempting to take schools away from local authorities, etc.

The main lesson learned is that issues need widespread support to necessary changes, issues that affect most people.

Potentially the most unifying issues are the electric, gas and water supply industries and the prices the utility companies charge. Everyone is dependent on these services, these supplies are absolutely essential to all, yet these industries are in private ownership whose main aim is to maximise profits.

It cannot be right that something so essential to everyone is run on that basis, when people are struggling to pay their bills. There can be no argument or reason against making these industries publicly owned and managed. They are as essential to everyone as the NHS.

This is an issue around which maximum unity can be built: righting this wrong is possible.

A. Delahoy, Silverknowes Gardens

 

 

 

Community Council meeting rescheduled

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West Pilton West Granton Community Council’s next meeting has been rescheduled:

Dear All,
 
Due to holiday arrangements the next meeting of the West Pilton West Granton Community Council will have to be postponed.
 
The new date for the meeting is Tuesday 14th June 2016 at 7pm in the West Pilton Neighbourhood Centre.
 
Hope to see you there,
 
Barbara Robertson (secretary)

 

Planting the STEM seed at Craigie

STEM: That’s Science, Technology, Engineering, Maths – but you knew that, of course!

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A team of employees from Edinburgh electronics company Leonardo (better known to us old-timers as Ferranti’s!) are planting a ‘STEM’ seed that could lead to improved career prospects for Craigroyston Community High School pupils. Continue reading Planting the STEM seed at Craigie